Episode #12, Scene 1: Her Father's Cross
| Screenshot | Cut # | Description/Dialogue | Commentary |
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001 | 15 Years Ago The Year 2000 A.D. |
Reichu: Renewal always looks crisper and nicer than the original, but, for many of the cuts in this scene, there is an unexpected price to pay. Some colors end up too dark, making what was originally, say, two shades one. Additionally, although the puke-green tint of the original is not something I miss, the new, reddish tint — along with the darkening of many shades — takes away the impact of the blood, which is a pity, IMO. I use mostly Renewal shots here nonetheless, although a few are from the original (015 ~ 018), filtered to be the right tint. Even though they're still a little "weak" looking. Some Original Vs. Renewal comparisons dumped down here, until I feel like moving them to a more appropriate place. |
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| 002 | Screen CUT IN |
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003 | Missing Number: |
Reichu: Will add econte scan later. |
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004 | Low-angle shot of a lurching, battered steel tower. Debris and powdery snow are blown about in the foreground. A dismembered corpse flies by. |
Reichu: ♪ "The corpses, my friends, are blowing in the wind…" ♪ |
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005 | The bodies of wintering team members lie in heaps. |
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006 | Amidst the dancing debris and powerdy snow, a man with tattered clothes walks forward, carrying a 14-year-old girl. Both of them are ruddied with blood. |
Reichu: Ah. Good ol' Katsuragi-hakase*. Perhaps the most criminally neglected character in the show. He's kept in the shadows, sure, but nobody's attempted to shine any lights on him, either, despite the fact that we're supposed to… You'd think the cornerstone of Second Impact and the motive force behind Misato would get a little more attention. Fear not: Reichu will be correcting this. BTW, since it's really hard to see some of the "finer" details in the dark Renewal version, here's a filtered-to-death screenshot from the Original. You actually need it to see his all-important lefty. * -hakase 博士 = Dr. (Ph.D.) |
| 007 | The roof of the base, where a section has come off. |
Reichu: This and 009 use somewhat disorienting low "camera" angles, which is why we're seeing the palm side. His left hand doesn't seem very consistent with the prior cut -- the original script even specifies that it be "deep red with blood" -- but, eh, what can you do. Remember this poor man's hand (here and in 006), and remember it well. Aside from reiterating the "tattered, teetering hand" visually with another character, the show will be rewarding those who were really paying attention. In that cruelly minimalistic, NGE sort of way. This shot may also be indicating that Dr. Katsuragi is left-handed -- would that make him the only known character of said dexterity in the cast? |
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The man’s hand teeters unsteadily into the foreground. (His skin hangs like a tattered cloth.) |
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Beyond the camera’s view, he seizes a lever firmly and pulls it with his middle and ring fingers, as the other ones have become useless. |
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008 | The hatch of a one-person escape capsule opens. | |
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009 | Part of the roof, flapping about from a sudden gust, is blown off, revealing a giant of light. | Reichu: Interestingly, the storyboards depict Adam minus pylons, plus wings. While the pylons actually do serve a practical non-armament purpose after all, the substitution here in the final seems a little odd to me, considering future exposition on the circumstances leading up to this scene. I guess they're just off-screen? |
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010 | The man's blood-covered back covers the camera. When he raises his body, we can see the girl laying recumbent within the capsule (14-year-old Misato). There is a cross-shaped pendant on her chest. |
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011 | Pull up on the girl. The man's blood falls with a spatter onto her cheek. |
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The girl stirs and slowly faces our direction. Misato "Father…?" Soon as she has spoken, the capsule closes, covering her completely. |
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012 | Bird's-eye view of the base through the ceiling. The silhouetted character briefly looks at the capsule. |
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Then, his strength failing, he collapses over it. | ||
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The moment after, a shockwave covers the screen and everything is blown away. | ||
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013A | The skies over Antarctica. As if spreading with a flap, wings of light — like a demon's — stretch up from a vortex of clouds into the stratosphere. | Reichu: "Demon" here is akuma, which represents the Western concept of "demon" — or, more specifically, the Devil. Satan. Sammael if you're cool. Lucifer if you're not. Strangely enough (or is it?), that's more or less what one of the JSSDF badasses calls EVA-01 much later on ("Masa ni akuma ka" — "Is it the Devil himself?"), even though it's at least doubly ironic. I.e., the guy doesn't know damned shit about what — or who — he's really looking at. (Reminds me of a lot of fans… </sardonicism>) |
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013B | Satellite view of the same. | |
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014 | The escape capsule drifts on the ocean's surface. The hatch opens. |
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015 | A human figure stands up from the capsule with a stagger. | |
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016 | Pull in on that. The girl (14-year-old Misato) slowly lifts her head. |
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017 | The scene from her POV. Two pillars of light extend up into the vortex of clouds from the ocean's surface. Beams of light slowly fall downwards from the rifts in the clouds. |
Reichu: VERY curious bit in the script here: It actually calls for "dots of light" in addition to the beams. Hmm. Sounds suspiciously like a consequence of something they "ret-conned" into this scene for DEATH… (Then, you still have to wonder just what the "beams of light" are supposed to represent, too.) |
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018 | Her chest UP. Her clothes are tattered and stained with blood. |
Reichu: Again, what was vividly red in the original loses its impact (uhhh, no pun intended) in Renewal. (See below.) |
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019 | Misato fastens the front hook of her bra. (She has a scar.) |
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020 | Misato in front of a full-length mirror. | |
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021 | Misato front UP, reflected in the mirror. Her face is grave. Lightning illuminates Misato. |
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| 022 | The cross placed on the dresser. | ||
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SUBTITLE Episode #12: "The Value of a Miracle" |
Original vs. Renewal










































































